Years and years ago I had a job as the Easter Bunny’s Helper in a big department store (remember those?). I was the person who wrangled the kids and took the pictures. The camera was a massive box and had to be put inside a dense cloth bag so that I could take the film out to send it away for processing. The bag had zippers and arm sleeves, all designed to keep the light out. The job – aside from the occasional screaming kid – was fascinating! A few years later I had a job that suddenly included writing on-the-job training scripts for employees at our pharmaceutical manufacturing company AND taking pictures that demonstrated the activities. I needed to learn how to use an SLR fast. The camera was an ancient Pentax that used film (this was pre-digital photography) and had no automatic settings. I took lessons from a local photographer and read as many books on photography as I could find. I loved taking pictures and never stopped after that.
But paint and paper and clay turned out to be interesting, too. Over time I took fewer pictures. Cameras changed. I changed – LOL. Even though I still “capture” things it’s been a while since I filled a camera card. But I still have lots of photos I can offer the world. Today I took some time to upload the 5 photos above to my “ART BY ROBIN KING” Redbubble site to join the others are already there in my Photography Collection. They’re now available on various Redbubble products (journals, clothing, magnets, stickers, masks, prints, stationery, etc.).
In the weeks to come I’ll add more photography, work that hasn’t been seen yet.
And, as soon as I can sort out a camera that functions well enough I’m going to start shooting pix again. What fun!
Yes! See that image above? Affinity Photo let me create it. It’s a multi-layered piece made up of two photos, one scan, and digital painting/editing. Here are the photos and scan:
I was able to easily turn the component images into layers – then blend, edit, and paint them. Combining the layers to export wasn’t intuitively obvious so I did it wrong a couple of times but finally figured it out. Unfortunately, when I attempted to create a smaller web-friendly image to post here, I accidentally clicked wrong and destroyed the large original. I should’ve made a duplicate first but didn’t. It’s OK: entirely my error, not Affinity Photo’s. And not a big loss.
So there it is: I can use Affinity Photo the way I need to. YAY!!! As soon as I check a few more things I’ll pay the $24.99 to buy it. Pixelmator Pro was terrific but it costs more and money rules sometimes.
Three days ago I downloaded a 15-day free trial of Pixelmator Pro. Because of a leg injury I can’t sit at a computer for more than a few minutes at a time, so I’ve been trying to explore (and learn how to use) Pixelmator Pro fast.
My first quickety-split discovery was how to resize an image for web use. Excellent!
The second thing I found – and figured out how to use – was a set of editing tools that included the usual curves and slides. What surprised me was the fascinating array of presets that can also be adjusted. It’s this set of tools that enabled me to make the first photo, above, from the second. Quick clicks, easy slides: big changes.
Even though Pixelmator Pro isn’t Photoshop or Photoshop Elements (which I’ve used for years) I’m loving it so far. But I need it to work well when I create digital mixed media multi-layered images, so tomorrow I’ll try to make and edit layers.
Last post for the day: Several years ago I digitally combined cardboard, cut paper, acrylic ink, acrylic paint, and two photographs to create “The Secretary of Sleazy Corruption.” Even now the piece give me chills, especially the eyes. There’s a special kind of hell behind them.